![]() ![]() But again, these coats which were taken straight from the 1960s and outerwear fashioned from California King duvets, let alone ERL’s debut footwear range (more on that later).ĮRL SS24 explored all of the references, which is a recipe that few can cook up. Fine diamond jewelry complemented open-chested silver glitter blazers and clutch bags, but completely contradicted the skin-tight tops and caramel crushed velvet suit pants in the following look.įor more obvious riffs, ERL delivered “upcycled and reworked kimonos mixed with Roman-like fabrics, which is like a silver brocade, tying back to Florence,” as well as hats that wouldn’t go amiss on Slash from Guns N’ Roses. The intention to subvert was clear, and in doing so it was unequivocally punk in its nature. These codes became a familiarity throughout the show, as Look 2 explored sheer and shimmering qualities, and Look 5 took the very same fuzzy materials used in Dior x ERL and applied it to jumpers, paired with silver baroque trousers. This in itself was a switch to the formality below, as the trousers played on sartorial traditions and tailoring with pleats that vanished into puddling fabric towards the shoe. Opening the show was a silver ensemble comprising of pants and a top, only here the top was made from neoprene and stuck tight to the skin, contrasting the American Football-style shoulder padding. ![]() “It’s a super focused, elevated version of ERL.” And when he told us that, explaining that the clothes were monochromatic and tonal, a big step into where the designer wants to take his brand, and were ultimately yet another exploration of “playfulness and youthful punk,” he wasn’t exaggerating.īut it was the shapes that struck a cord the most. “It’s my normal take on what I think people should wear,” Linnetz exclusively told Hypebeast.
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