The 7 band EQ works well, together with the other controls I am able to shape and get a very good tone.Ĭompression works well, it functions as far as I can tell as a 'limiter' to reduce peaks and does not squash the overall sound. I keep the amp on channel 2 as I like using a clean sound just near to over-driven and using the Shape control. The amp has 2 channels, switchable on the amp and with the included footswitch.Ĭhannel 2 is with an overdrive emulation as Gain, and a Shape control that scoops out a frequency area depending on the setting you use. My bass guitar is an HB with active pickups. I have connected the amp to a Warwick WCA 410-4 = 4 X 10 4 Ohm 300 Watt. You really can?t go wrong, especially not with Thomann?s best in class guarantee. Thomann replaced it quickly.Ĭonclusion: A bit of a curate?s egg, with the good significantly outweighing the not so good. No ground lift on the DI out ? not uncommon with lower priced amplifiers.īuild quality could be an issue ? the first one of these I had was dead on arrival. The ultrabass effect, if used sparingly, gives a subtle but undeniable sub octave chorus like grumble to the tone ? however the effect seems to be rather hit and miss, with the overall volume rising and falling unpredictably. That said I have no problem using this head ? all amps sound different after all. My Trace Elliot has a very tight, punchy and focused sound. Sounds slightly woolly compared to the Trace Elliot I have been using, but has stronger lows. The sound is a little uncontrolled ? difficult to describe this precisely. There is a noticeable click from the speakers when changing channel or switching in the utlrabass effect. It just reports low frequencies, who?d have thought that could happen with a bass guitar? The FBQ metering is a gimmick that is of no value whatsoever. The quality of the pots is minimal ? they are quite insubstantial but nevertheless work smoothly. I barely reaches the floor from the amplifier on top of my two 1x15 cabs. The not so good/bad (in no particular order): The case looks like high density PVC so should be very tough, if rather unattractive. The footswitch supplied with my amplifier is labeled Bugera rather than Behringer, and is black rather than anodised gold as shown on the box. Rack mountable, if you so choose ? brackets are in the box. The graphic EQ works and is illuminated, which is a nice touch. The distortion channel also has a shape control which works well and not to extremes. Couple this set slightly louder than the clean channel (using the level control) and there is a noticeable lift, ideal for a 3 piece bass player. Two channels ? and one with distortion which again used sparingly is a real boon. I bought this head as a backup, but I like it enough to use it as my main live amp.ĭefinitely a good strong 300w, no lack of power here. My basses are active, have maple bodies, and are therefore bright and also very deep. I have an ancient but good Digitech BP200 between my 4 and 5 string basses and the amplifier input. If you can afford a better amp I would, but the Behringer will get the job done as long as it is taken care of.I am running through 2 8ohm 1x15 300w cabinets. It worked well for the short time I had it.Ī user and budget friendly amplifier. Sorry I can't really comment much more on it's quality. The amp worked great for the week and half I owned it, but once again people describe these as ticking time bombs. Word on the street is Behringer has a very generous return policy if your product fails. I feared the reliability of it and that is why I returned it. Other note worthy features: DI out, Effects Loop and a MP3 player input. The compressor is more user friendly than some. It got me through the gig! I felt I couldn't dial in 'my sound' It was lacking somewhere in the upper mid section, but hey it worked. I played it for a gig, about a week or so of practice then returned it. That is what led me to the Behringer, a name I am not normally fond of. I was in dire need of an amp, low on funds and out of town. The knobs are L-R: Gain 1 Gain 2, Shape, Level, 7-band EQ, a compressor, Ultrabass knob, headphone out and power. This amp can tilt back to give you more control over where your sound is headed. 300 watts pumps into the Bugera series speaker. This is Behringer's better bass combo amp.
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